
Why people choose to visit online social sites:
- Who likes me?
- Is everything okay?
- How can I become more popular?
- What’s new?
- I’m bored, let’s make some noise
None of these are new, but in the digital world, they’re still magnetic.
If you want to understand why Twitter is so hot, look at those five attributes. They deliver all five, instantly.
~ by Errant Aesthete on 03/24/09.
Posted in Manners & Conduct
Tags: Marketing, psychology, socialnetworking, twitter
L’esprit de l’escalier or esprit d’escalier (stairway wit) is the sense of thinking of a clever comeback in an encounter when it is too late.
The phrase can be used to describe a riposte to an insult, or any witty, clever remark that comes to mind too late to be useful— when one is on the “staircase” leaving the scene of the encounter.
The phenomenon is usually accompanied by a feeling of regret at having not thought of the riposte when it was most needed or suitable.
Featured: Stairway at the Louvre, Paris, 2007
“A man
should look
as if he bought
his clothes
with intelligence,
put them on
with care,
then
forgot
about them.”
-Hardy Amies
“Life itself is the proper binge.”
~Julia Child
As I bounce around online looking for images I always look for the extraordinary, the esoteric, the naive, and the emblematic of a time; works that are not the pieces we often see in design history books.
Just as a map helps us find our way and shows us where we are, looking at design from years past helps us better understand the trajectory contemporary design has taken. DesignObserver.
The novelist Alison Lurie wrote: “Whatever is worn on the head is a sign of the mind beneath it.”
Stephen Jones, the greatest milliner of his generation, disagrees.
“Whatever is worn on the head is a sign of what a person would like to be."
“The golden moments
in the stream of life
rush past us
and we see nothing
but sand.
The angels
come to visit us,
and we only know them
when they are gone.”
-George Elliot
In this classic novel of old New York, Edith Wharton recreates the city of her girlhood in the 1870s. The Arion edition has been illustrated with photographs of the actual settings of the story.
“Truly a thing of beauty” according to Forbes magazine, this edition celebrates a classic of American literature. The book has a special status as an affectionate record of the streets and buildings of New York City. At every moment of the novel the reader knows where the characters are, walking down a particular street, standing in front of a certain address, looking out the window of a familiar room.
The Arion Press edition is illustrated with images of the novel's actual setting, as they are today, captured by noted photographer Stephen Shore who brought to this project a personal knowledge of the historic buildings and streets that made up Wharton's New York world.
New York Times art critic Michael Kimmelman raved: "The work’s laconic eloquence speaks of an era and a nation."
Francis Bacon's sickly serene Self Portrait 1971 is a refracted faceted face akin to some of Paul Cézanne's self-portraits which are reminiscent of cut precious gem stones reflecting light. Bacon painted with a very dry brush giving the sensation of a granular, grainy effect.
The melancholia mood is of a man melting before you: a disturbing image of a disturbed man in a disturbed century. This is one of the last great self-portraits Bacon painted before he went off the rails and went back into to the lazy worn grooves of inane illustration.
The Errant Aesthete©
July, 2007 - January, 2012
The Errant Aesthete©
All Rights Reserved
If you would like to reprint an article or repurpose a photo, please email for permission.
EMAIL: worddrawing@gmail.com
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Do you tweet? I can’t even commit to Facebook. There’s just too much incredible information on other’s sites (like yours) that leave me reeling for another hour at the screen.
E (I always feel inclined to say ‘E squared’ with your double E’s)
and Arti:
I don’t tweet although I do have a very neglected facebook account. I haven’t brought myself to asking readers here to go there and vice versa so it’s apparent I’m not at all socially correct.
If you look at Arti’s comment on this same post, I’m troubled by the end of solitude as well and frankly, not too terribly inclined to share my every waking moment with the world at large even if I do, on occasion, generate a brilliant insight every now and again. There’s a very interesting article on Intelligent Life entitled ‘The Age of Commodified Intelligence.’
http://moreintelligentlife.com/story/mass-intelligence
An excerpt:
Facebook is devoted to cataloguing this cultural rebirth. Here people curate their personas and project them at the world. Characteristic of the younger generations, the mood strains for the eclectic while feigning nonchalance. The alchemist arranges lists in search of gold: Shostakovich, Dresden Dolls, Justin Timberlake, Miles. “Mrs Dalloway” is popular, perched between “Harry Potter” and, simply, “The Russians”. Status updates remind you that a friend has just returned from an “HD Mozart Opera” while another is “getting into Herzog films”. This is an achievement panopticon; the participants are its prisoners.
It is tempting to confine these observations to a narrow class of posing dilettantes. But a belief that intelligence is gained through acquisition has reoriented all of society.
Sorry to rhapsodize on your simple comment, but I have some definite opinions on the topic.
This is exactly why Wm Deresiewicz wrote the article “The End of Solitude”, which has become a rare commodity, and one which is utterly incompatible with the young (or not so young?). NR’s death has affected me a great deal, so I haven’t churned out any more new posts since then. But you’re most welcome to read my March 9 post on the end of solitude among our Twitter generation.
Arti,
I completely understand on NR’s death. Sometimes the best way to soothe your soul is to simply withdraw.
EAe, please, continue to rhapsodize. Your opinions are most welcome. The idea that intelligence is gained through acquisition is interesting to me. I would say, rather, that intelligence is native (and may be improved upon), knowledge is attained. through knowledge, we may seek to improve ourselves in that particular area which we find interesting. But I am “a bear of very little brain” with these things. Which is why I enjoy stretching it with comments like yours.
I’ll leave with this highly unoriginal thought: without solitude there is very little reflection. Without reflection there is very little growth. It’s the “unexamined life,” isn’t it?
E:
Most assuredly — yes!
It’s a paradox too. Plenty of people escape to the web to avoid the real social world, only to crave and chase after its electronic simulacrum.
I join some of these sites. Generally I don’t friendjoinconnect to others (fb does has some permanent address and variable connectedness utility so it’s a bit different). I don’t hate twitter but I can’t spend much time there. But then I like to turn down talking heads on radio.
I just like to watch.
Peacay,
I completely agree about substituting one social network for another. I guess we’re all just looking for a place to belong, some of us more anonymously than others. I tend to like the back of the room myself.