Bob Colacello’s Out-Takes « The Errant Æsthete

Bob Colacello’s Out-Takes

As the editor of Andy Warhol’s Interview magazine in the 1970s and early 80s, Bob Colacello was at the center of New York’s social scene. His monthly column, “Out,” included photographs he took with his little plastic Minox. It is this disco-era collection (in conjunction with the third printing of the book Bob Colacello’s Out)that includes more than 70 vintage and large-scale prints of Colacello’s intimate images of the likes of Andy Warhol, Mick Jagger, Diana Vreeland, and Truman Capote that is currently being shown at the Steven Kasher Gallery in New York, through July 19.

Above: Jack Nicholson and Anjelica Huston at Marisa Berenon’s wedding.

SLIDE SHOW

~ by Errant Aesthete on 06/30/08.

Posted in Arts & Letters, Culture, Retro
Tags: andywarhol, BobColacello, celebrities, exhibit, interview, Photography, studio54

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Deborah Turbeville

R. Kenton Nelson

Awaiting A Return

Georgia O'Keefe

Frantisek Drtikol

Galleries

Art Deco

Modernisme Majestueux

L'esprit de l'escalier

L’esprit de l’escalier or esprit d’escalier (stairway wit) is the sense of thinking of a clever comeback in an encounter when it is too late.

The phrase can be used to describe a riposte to an insult, or any witty, clever remark that comes to mind too late to be useful—when one is on the “staircase” leaving the scene of the encounter.

The phenomenon is usually accompanied by a feeling of regret at having not thought of the riposte when it was most needed or suitable.

Featured: Stairway at the Louvre, Paris, 2007

Sarah Moon

Paris Style

Le Couturier des Coutouriers

“Taste is a feeling that makes all the difference between what is beautiful and what is merely showy – and also what is ugly!” the couturier Madeleine Vionnet once said. “It is transmitted from mother to daughter. But some people don’t need to be educated: they are innately tasteful. I think I am one of them.”

This was a designer who toiled endlessly to liberate women from buttons, zips, corsetry and show-off embellishment. Hers was the language of extreme sophistication, where decorative elements such as rose motifs and fringes, drapes and twists formed the structure of her much-coveted dresses, rather than being mere appendages.

The first Parisian retrospective paying homage to Madeleine Vionnet is going on now, running through January, 2010 at Les Arts Décoratifs in Paris.

Un Coeur Tres Nature

Robert Motherwell

Sudden Bronze

Sunburn Series

Jeff Zaruba

Berenice Abbott

Hiroshi Sugimoto

Michael Levin

Le Royal Dressmaker

“A man should look

as if he bought his clothes

with intelligence,

put them on with care,

then forgot about them.”

-Hardy Amies

Anatomie de l'elégance

Our Lady of the Ladle

“Life itself

is the

proper binge.”

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Grey Gardens

Dovima the Divine

Sir or Madam?

Joyce Tenneson

Asaf Ben Zvi

Eugene Gabritschevsky

Larry Abramson

Will Cotton

Dietmar Busse

Andy Warhol

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As I bounce around online looking for images I always look for the extraordinary, the esoteric, the naive, and the emblematic of a time; works that are not the pieces we often see in design history books.

Just as a map helps us find our way and shows us where we are, looking at design from years past helps us better understand the trajectory contemporary design has taken. DesignObserver.

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Poires de Vacances

Great Performances

Swoon Worthy

Irving Penn

The Remarkable Mr. Jones

The novelist Alison Lurie wrote:

“Whatever is worn on the head is a sign of the mind beneath it.”

Stephen Jones, the greatest milliner of his generation, disagrees.

“Whatever is worn on the head is a sign of what a person would like to be.
Hats are a passport
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Jones advises that you wear a new hat around the house.

“Get used to it”, he said, "before you go out. Then you will wear it with nonchalance.”

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Cotton's Candied Confections

Ernst Haas

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Post Wisdom

Reflections

“The golden moments
in the stream of life
rush past us
and we see nothing
but sand.

The angels
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EX LIBRIS

The Age of Innocence

In this classic novel of old New York, Edith Wharton recreates the city of her girlhood in the 1870s. The Arion edition has been illustrated with photographs of the actual settings of the story.

“Truly a thing of beauty” according to Forbes magazine, this edition celebrates a classic of American literature. The book has a special status as an affectionate record of the streets and buildings of New York City. At every moment of the novel the reader knows where the characters are, walking down a particular street, standing in front of a certain address, looking out the window of a familiar room.

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New York Times art critic Michael Kimmelman raved: "The work’s laconic eloquence speaks of an era and a nation."

The Kindle

Francis Bacon

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The melancholia mood is of a man melting before you: a disturbing image of a disturbed man in a disturbed century. This is one of the last great self-portraits Bacon painted before he went off the rails and went back into to the lazy worn grooves of inane illustration.

Wallace Berman

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